4/14/2024 0 Comments Elephant outline templateEach claimed to be successors of a revolution launched by Appolinaire. Breton and Soupault continued writing evolving their techniques of automatism and published The Magnetic Fields (1920).īy October 1924 two rival Surrealist groups had formed to publish a Surrealist Manifesto. They began experimenting with automatic writing-spontaneously writing without censoring their thoughts-and published the writings, as well as accounts of dreams, in the magazine. Later Breton wrote, "In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most." īack in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and Philippe Soupault. He admired the young writer's anti-social attitude and disdain for established artistic tradition. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the spiritual son of writer and pataphysics founder Alfred Jarry. After the war, when they returned to Paris, the Dada activities continued.ĭuring the war, André Breton, who had trained in medicine and psychiatry, served in a neurological hospital where he used Sigmund Freud's psychoanalytic methods with soldiers suffering from shell-shock. The Dadaists protested with anti-art gatherings, performances, writings and art works. World War I scattered the writers and artists who had been based in Paris, and in the interim, many became involved with Dada, believing that excessive rational thought and bourgeois values had brought the conflict of the war upon the world. The term was taken up again by Apollinaire, both as subtitle and in the preface to his play Les Mamelles de Tirésias: Drame surréaliste, which was written in 1903 and first performed in 1917. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. This new alliance-I say new, because until now scenery and costumes were linked only by factitious bonds-has given rise, in Parade, to a kind of surrealism, which I consider to be the point of departure for a whole series of manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. Apollinaire went further, describing Parade as "surrealistic": Cocteau described the ballet as "realistic". Parade had a one-act scenario by Jean Cocteau and was performed with music by Erik Satie. Īpollinaire used the term in his program notes for Sergei Diaghilev's Ballets Russes, Parade, which premiered. He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used". The word surrealism was first coined in March 1917 by Guillaume Apollinaire. From the 1920s onward, the movement spread around the globe, impacting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.įounding of the movement Max Ernst, The Elephant Celebes, 1921 The most important center of the movement was Paris, France. However, the Surrealist movement was not officially established until after October 1924, when the Surrealist Manifesto published by French poet and critic André Breton succeeded in claiming the term for his group over a rival faction led by Yvan Goll, who had published his own surrealist manifesto two weeks prior. The term "Surrealism" originated with Guillaume Apollinaire in 1917. It was influenced by the Dada movement of the 1910s. At the time, the movement was associated with political causes such as communism and anarchism. Leader Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e., artifacts of surrealist experimentation. Works of Surrealism feature the element of surprise, unexpected juxtapositions and non sequitur. It produced works of painting, writing, theatre, filmmaking, photography, and other media. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself.
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